Grand River Gallery

I wanted to share my latest bit of news, I have been accepted into my first gallery since picking up the art again. The Grand River Gallery is located in Caledonia, Southern Ontario, Canada, and is a lovely place to enjoy viewing beautiful work by several talented local artists. The owner, Rene Ariens accepted my pastel Woodland Path and my orchid portrait Lady Rothschild as part of his collection for the next few months. Be sure to drop by the gallery if you're in the area.

The website: Grand River Gallery

Woodland Path, 2011

Paphiopedilum Lady Rothschild, 2010

Springtime Reflected

Somehow this painting started out as an autumn scene and transformed itself into a spring scene, not sure how that happened, perhaps it had something to do with the arrival of season after a very long winter. 

I worked on a new surface wanting to experiment with something a little different and I do like how the colors are more brilliant and striking then on the colored surfaces. I had started another pastel on an Ampersand Pastelbord and ended up washing it off and repriming it with several layers of Golden Fine Pumice Gel.  Another time I would use a coarse ground for soft pastel since this would allow for more layers of the pastel and it would be more agreeable with my soft Ludwig’s.

The trees and shrubs remind me of forsythia, purple smoke brushes and apple or pear trees in bloom, which are species I saw frequently in the horticulture business. I also used the beautiful Unison turquoise pastels in the sky along with a very pale and cooler Ludwig turquoise in the water. The colors in water should always be cooler than those on land, one of the ways you can separate land from water. 

Springtime Reflected   12x16"   Pastel on Pastelbord

Northern Marshland

There are so many layers of pastel in this painting, I think I lost track after the 6^th layer so this one seems to be about the tapestry of colour and texture that can be seen in the late summer months here in Ontario. I used Unison and a Terry Ludwig Pastels on Belgium Mist Wallis paper. 

I usually start with a reference photo that has at least 70% of the composition in place and make a few pencil studies before starting and this one was no different then usual except I found myself over simplifying. After looking at it for a couple days I decided to extend the height of the grasses in the foreground so that they are obscuring the main water-way with what I hope is a more pleasing result.

I have a new toy called a Canon Rebel XS EOS which takes much better pictures then my old Canon Powershot but I think that I still need better lighting to get ideal photos. Art work must be the most difficult thing a person can photograph, but it’s all a learning process. 

Northern Marshland, Soft Pastel on Wallis 12x16"

Etsy Listing

A Portrait of Angraecum sesquipedale AKA Star of Bethlehem Orchid

This is my first attempt at creating a floral portrait using soft pastels and I hope that it didn’t go too badly considering that the pastel will smudge so much more easily than coloured pencil, but it does move along so much more quickly. The smudging and correcting wouldn’t normally bother me with painting landscapes, but seems to be much more noticeable when it comes to creating the more detailed subjects, as is the case with flowers. Ah the adventures of learning a new medium.

Angraecum sesquipedale helped support Darwin’s theory that if nature would produce a plant with the super long nectary such the case with sesquipedale, then there would need to be a pollinator that could reach inside to retrieve the nectar. You can read more about the history of this orchid at Wikipedia Angraecum sesquipedale. And another link from Jay’s Orchid Encyclopedia for those who might be interested in growing this orchid, it is amazingly easy to cultivate.

The reference photo was taken from my own plant when it bloomed over the Christmas holidays and it is this Mid-winter flowering cycle which gives it the common name of the Star of Bethlehem. 

Angraecum sesquipedale 11x14" Pastel on Board

Snowfall on Evergreens

The planning and original block-in for this painting started way back in January, but due to an illness that is taking longer to recover from, I couldn’t finish it until early April. I tried working on it on the good days but found that I kept losing my focus and changing things so this one turned out way differently than the original plan. I guess that’s what the artistic journey is all about. Don’t know why oil painting has to be more challenging when you not feeling well, thank goodness for soft pastels.

Snowfall on Evergreens Oil on Canvas 18x24"

First Two Works with Soft Pastels

After growing tired of using those scratchy hard pastels I decided to try the softer varieties and after much research about the health hazards and a good deal of colour and value comparisons I ordered Unison and Terry Ludwig landscape sets. The Unison's are as wonderful as expected and the Ludwig's are even better if you like their soft fluffy texture. I'm finding that the harder Unison pastels work better under the softer variety since they can lift the super soft pigment right off. 

I also tried the Belgium Mist Wallis paper and the Ampersand Pastelbord and love both surfaces for entirely different reasons. Wallis is a super toothy sand paper that can take ridiculous amounts of pastel which does appeal to the oil painter within. The Pastelbord on the other hand is far more akin to drawing on paper with a little more tooth and I think it would work very nicely for oil pastel and pencil art if you really like to layer those colours. However, it works wonderfully for soft pastel as well but it won't take as many layers and neither does it faithfully hold onto the pastel making far more likely to smudge. 

I also love working on a hard surface so I will mount a sanded paper on foamboard or some kind of non-warping surface and try Richard McKinley’s wet-underpainting technique. This should also make framing much easier since I can bypass that dreaded matboard thing and all the related gadgets.

  Here is my first soft pastel on Wallis:

Spring Creek 12x18" Pastel on Wallis

And my first pastel on Pastelbord:

Woodland Garden Path 11x14" Pastel on Board

My First Post

Blogging is a whole new experience for me so I hardly know where to begin. Since this is all about my art work and artistic journey, then it seems fitting to show you some of my work that I completed prior to the blog.

I began painting in oils a little over a year ago after a 13 year hiatus from painting; needless to say, I was a little rusty. Much to my amazement, I did remember how to use a paint brush, must have been muscle memory. However, those first 10 paintings didn't turn out so well, due to inferior student grade materials, and a general lack of compositional know-how. Things are improving though after a good deal of research and help from the people at Wet Canvas and much personal trial & error.

I have also been learning a good deal about landscape painting from the online classes by the award winning Canadian landscape painter Johannes Vloothuis who can be found at:  http://improvemypaintings.com/.  Without Johannes instruction, I think my artistic development wouldn't be getting very far at all. Nevertheless, I still have far to go in regards to landscape painting.

I also like to draw and paint plants such as orchids and lilies and have been working with coloured pencil, hard pastel and pastel pencils. Unfortunately, I find that I need to put down the pencils since they are difficult to use due to a painful shoulder. So now I am beginning to paint with soft pastels such as Unisons and Terry Ludwigs, and so far they seem to be much easier to work with. More about that it my next post.

Here are some examples of artwork that I have completed:

Phag Bouley Bay hard pastel on paper 11x15

Paph Michael Koopowitz coloured pencil on paper 11x15

Paph Lady Rothschild coloured pencil on paper 11x14

Yellow OT Lilies Coloured Pencil on paper 11x14

Pink Lily coloured pencil on paper 11x14

Maple Rooted hard pastel on paper 11x15

Forest Spirits hard pastel on paper 15x23

Towards the Green oil pastel on paper 12x18

Two Willows Oil on Canvas 16x20